virtualDavis

I just whipped up this prehistoric fellow over at the scribbler. A primitive hare. A cobwebby doodle…
Want to make one? The scribbler allows you to create a “generative illustration” (I prefer doodle to “generative illustration”, but maybe I’m too old school) based on your drawing. And you can save it afterward by following the instructions on the left hand side of the screen.

Why did I draw a funky petroglyphic hare? No idea… It’s not even rabbit, rabbit time of the month!

Photograph of Utah’s Comb Ridge by Dawn Kish
(National Geographic Adventure)

The discovery of explorer Everett Ruess’s skeletal remains, as detailed in the April/May 2009 issue of Adventure (“Finding Everett Ruess“), appeared to be a slam dunk. A team of forensic scientists laid out an impressive case, backed by a DNA test that linked bones found in the Utah desert to the long-lost explorer, an icon of the American Southwest. Well, DNA results are only as good as the process that produces them, and in this case, a peculiar set of blunders managed to complicate, rather than solve, a 75-year-old mystery. (David Roberts National Geographic Adventure)

For the romantics out there who’ve been following this story through the years, it’s easy to agree with Everett’s nephew, Brian Ruess: “Everett,” Brian says, “just doesn’t want to be found.” Not when he was alive; not now.

Alain de Botton examines our ideas of success and failure — and questions the assumptions underlying these two judgments. Is success always earned? Is failure? He makes an eloquent, witty case to move beyond snobbery to find true pleasure in our work. [ted.com]

Related articles

• Alain de Botton: On Pessimism (lostateminor.com)
• Atheism 2.0: Alain de Botton on TED.com (ted.com)
• You: Alain de Botton reveals plans for ‘temple to atheism’ in heart of London (guardian.co.uk)
• VIDEO: ‘We should rebrand tax as charity’ (bbc.co.uk)

via blog.nathanbransford.com

The publishing world is awash in doomsday chatter, agonizing over the rapidly evolving packaging, distribution, retail and copyright landscape. There’s no question; the publishing world has changed, is changing and will continue to change. Bitch if you want, but we can’t go back!

Frankly, I’m with literary agent Nathan Bransford who says, “You can either be scared of the future or excited. I’m pretty excited.” His blog posting last Thursday has been swamped with comments, mostly optimistic comment from folks who are tired of the horror stories.

Bransford trumpets what’s being referred to more and more as thedemocratization of the publishing world. In the old paradigm, the filtration process (publishers, agents, retailers, etc.) dramatically limited the content that made it from creators to consumers. Probably in most cases this was a “good” thing, but it’s not hard to find fault with the top-down publishing model.

“In the e-book era, everyone will have a shot. And I refuse to believe that’s a bad thing… Yes, there’s going to be a lot of dreck out there that we’ll have to find a way to sort through. Yes, publishers will be challenged by lower price points and will have to change and adapt to the digital era. Yes, my job will probably change some too… And yes, this new era will require more of authors… It will require an entrepreneurial spirit and a whole lot of virtual elbow grease… But what better time to be an author?! All any writer wants is the chance to reach an audience and see what happens from there. Just a chance. And it’s looking like everyone’s going to get that chance.” (via blog.nathanbransford.com)

Poor Kelly Corrigan, first-time author, didn’t get invited to this weekend’s National Book Festival on the Mall to plug her 2008 memoir, “The Middle Place.” She won’t be rubbing shoulders with heavyweight authors such as Sue Monk Kidd, John Grisham or Pulitzer winner Junot Diaz. No major newspaper bothered to review the California mom’s tale about cancer and family and recovery when it was released. Her publisher didn’t send her on tour. All the old-school staples of book promotion — the book festival, the tour, the glowing newspaper review — Corrigan got none of them.

What was a newbie author to do?

She cobbled together a trailer for her book on her home computer, using iMovie software, downloading a free tune off the Web for background music, and stuck it on her Web site. Her agent helped get her on one network television morning show. About 20 friends hosted book parties, which she hit on a self-funded three-week blitz, selling books out of the trunk of her car. A guy shot video of her reading an essay at one of these parties, and she posted it on YouTube when the paperback came out.

A year later, the book has sold about 80,000 copies in hardcover and another 260,000 in paperback, according to Nielsen BookScan data. It sat on the New York Times bestseller list for 20 weeks, peaking at No. 2. That homemade trailer has been viewed more than 100,000 times. The video of her reading has drawn 4.5 million hits. She’s in Washington on Thursday, speaking at the Congressional Families Cancer Prevention Award luncheon. Then she will plow into more than a dozen paid speaking gigs across the country in the next six weeks.

“How can I explain the never-ending irrationality of human behavior? We say we want one thing, then we do another. We say we want to be successful but we sabotage the job interview… The amygdala isn’t going away. Your lizard brain is here to stay, and your job is to figure out how to quiet it and ignore it.” ~ Seth Godin