virtualDavis

ˈvər-chə-wəlˈdā-vəs Serial storyteller, poetry pusher, digital doodler, flâneur.

Digital You

“Like it or not, a digital you is out there.”
Lawrence Joseph

Lawrence Joseph’s latter day truism is sandwiched between layers of post-9/11 offal like a slather of mustard or a thin slice of onion, a piquant but ancillary ingredient trying to mask the repugnant meat of the poem.

Digital display 2

Digital display 2 (Image via Wikipedia)

It fails. The poem “So Where Are We?” (Granta, Issue 116) and most of the other sketches and reflections in Granta’s Ten Years Later, edited byJohn Freeman, are deeply disturbing. But that’s the point, I suppose, looking back on a decade that scrambled and irreversably transformed much of the free world.

And yet Joseph’s assertion about digital redundancy clung to me. The notion of digital clones has become ubiquitous. It needs no explanation. It is a contextualizing, familiar point of reference that justifies the grotesque world conjured in this collection.

Like it or not, there’s a digital you out there. In fact almost every aspect of your life is probably reflected in some computer somewhere. You could say that information, that data, has a life of its own. If you have anything to do with modern society, you are no longer a purely biological, analog being. (New York Times)

I’m not altogether uncomfortable with this idea as the name of my blog plainly suggests, but I am fascinated with the implications of this analog/digital duality. I’ve said before that we’re living through a storytelling renaissance. Though we don’t always see it that way (teachers lament ever shortening attention spans for reading and literature; publishing executives panic as books become ebooks become Vooks become…), the proliferation of digital selves and the near universal acceptance of digital identities suggests a convergence of real world and narrative world. We are becoming our stories. Or vice versa.

The one big idea from the original “Tron” that maintained relevance was that some binary version of you is running around out there in all those ones and zeros, to a certain extent under your control but also, in a profound way, forever beyond your reach. Now we can all have multiple identities all the time: just make another user name, and you’re someone else, right? That conceit is not always accurate… (New York Times)

Are you keeping track of your digital selves? Are they still in your story, or have they defected? I’ve seen a few new faces wandering around in my own stories lately after all.

The Ever Evolving Social Media Revolution

If in doubt about the social media revolution, just watch this sequence of three video presentations. Pay attention to the statistics; watch the revolution evolving in real time as the social media juggernaut sweeps the globe.

The social media revolution is
mushrooming while you sleep!

The next three videos are based upon Socialnomics: How Social Media Transforms the Way We Live and Do Business by Erik Qualman. This first,Social Media Revolution, asks if social media is a fad that can be waited out, a fad that can be ignored, a fad no less or more important than any other.

Is social media a fad? Or is it the biggest shift since the Industrial Revolution? This video details out social media facts and figures that are hard to ignore. This video is produced by the author of Socialnomicshttp://www.socialnomics.com

Take a look!

If the music distracts you or wakes up your parents, mute the volume. But watch. Read. Wake up!

The social media revolution doesn’t sleep. Ever. And while you’re dozing off, it’s already evolved. The next video, Social Media Revolution 2 (Refresh), updates the social media and mobile media statistics.

Ready for Social Media Revolution 3? This longer, more powerful video was produced in June 2011. Also “based on #1 International Best Selling Socialnomics by Erik Qualman this is the latest in the most watch social media series in the world.”

‪So, what do you think? Still plan to wait out this annoying social media fad? Still hope to ignore it? Good luck!

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Best Days for Social Media Traction

 

CartoonPost your most important social media content consistently at similar times all week long. Or not…

How about Thursday and/or Friday? Eureka!

According to Mashable’s Todd Wasserman “the end of the work week is the best time to get traction on status updates and tweets.” (Why Users Are More Engaged With Social Media on Fridays) I’ve often found this to be true, though I’ve been unable to ascertain exactly why. Buddy Media dove into 200+ Facebook users habits over two weeks and discovered that Thursday is actually the most engaged day of the week. However, Twitter’s Adam Bain (Chief Revenue Officer) touts Friday’s as the most engaged among the tweet-set. So the two biggest social media hubs agree that end-of-week is the time of maximum engagement. Why?

People are heading into the weekend so they’re thinking about things besides work. They’re mentally checking out and transitioning to the weekend. (Jeremiah Owyang, Altimeter Group)

It’s a matter of people finally pushing past the work week and coasting toward the weekend, picking their head up a bit to see what’s going on and what their friends are up to. (Rick Liebling, Coyne PR)

I call it ‘contra-competitive timing‘. As the overall activity seems to slow down from the hustle and bustle of the week, readers can give each tweet more attention because there are fewer other tweets fighting for it. (Dan Zarrella, HubSpot)

Of course, now that the social web is aflutter about this hot news, I haven’t any doubt that marketers and spin doctors are going to begin swamping us on Thursday and Friday now. So, maybe next week or the week after we’ll see a shift away from the inevitable spamfest toward Saturday? Monday? Wednesday? Reductio ad absurdum.

Which leads to the question, how will we filter the noise?

Storify: Curating the Social Web

The image above was generated via Curate.Us one of the many innovative curating tools sprouting up lately. My current fav among the free online curating tools is Storify, co-founded by Burt Herman and Xavier Damman. Check out My Storify Meta Story“, a still-evolving assessment and chronicle of my experiences with this powerful, user-friendly curating tool. In addition to an in-depth look at Storify, videos of Herman and Damman, and Twitter exchanges with Damman, I’ve included a look at some of the main competitors in the curation space including Curated.byBagtheWebScoop.itPearltrees and Keepstream.

Every day there’s more evidence that curating social media will take center stage in 2011. As more and more social media adopters share content, filtering and curating this avalanche of information has become critical.What curating tools do you favor?

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Debbie Stier: Book Publishing as I See It

Debbie Stier speaking at BookExpo America 2009

Debbie Stier (@debbiestier) first came across my radar when HarperStudio was born… A book publishing outlet that made sense in the 21st century! Publishers who understood (or wanted to understand) the digital migration. Unfortunately bravery and vision weren’t sufficient, and HarperStudio was recycled. (Read the HarperCollins explanation memo to employees.) I was disappointed that the project was abbreviated, but proud of HarperCollins for taking the risk in the first place.

One of her homeruns with HarperStudio was Crush It! by Gary Vaynerchukwhich I’ve “read” three times (the print edition, the audio edition and the Vook edition) as much for Vaynerchuk’s energy, self-confidence and optimism as for the opportunity to compare assets distinct to each platform. I imagine Vaynerchuk has been a good fit for Publishing’s Optimist Prime. In an interview with Marian Schembari last June Stier conveyed unabashed enthusiasm for the future of publishing.

“I love that word-of-mouth is scalable. I love that anybody can share, and connect, and spread the word about great books and ideas without ever having to get permission… I’m allergic to bureaucracy. Publishing is full of protocols; I find it frustrating when people see their role as putting up barriers and looking for problems. I’d rather make something great happen… It’s liberating to know that you are in control of your own destiny and don’t have to hope that the gatekeepers allow you to be recognized.” (Digital Book World)

Stier’s perspective has encouraged and reassured me during my foray into the book publishing jungle. And it’s not all bluster and bravado. Stier’s track record speaks for itself. And she’s EVERYwhere! (I have a hunch that she may secretly have invented the social web between book launches.) The other day I was speaking to my wife’s cousin, Cali Williams Yost (@caliyost) about her experience publishing Work + Life and now working on her second book, and Stier’s name inevitably popped up: “She is wonderful and amazing!” Scanning some of the titles Stier has worked on I realized that my mother-in-law’s friend, Dotty Frank, has also been touched by Stier. The Stier Factor! And when I registered to attend MediaBistro‘s eBook Summit I discovered that she was slated to be one of the panelists. (Did I mention that Debbie Stier is EVERYwhere?)

During her eBook Summit presentation she announced that she’s departed HarperCollins, and that she hasn’t yet announced her next plan. She did mention that it is somewhat unrelated to book publishing but will draw upon her publishing experience. Hmmm… Perhaps something to do with the SATs?

As for promotion strategies in the publishing industry Stier articulated in no uncertain terms that

“everybody should have a digital presence… You’ve got to be part of it to understand, or else you’re not feeling the culture of it.”

She also skimmed over relevant tech/communication trends that she sees emerging. Mobile, mobile, mobile. There’s an adavantage to early adopters. If you use an iPhone, try out Instagram. In publishing, she explained, mobile strategy is mostly tied to apps (location-based and otherwise), etc. In other industries texting and QR codes are making major inroads, but publishing lags behind! This is an opportunity. First mover advantage. She touched on Foursquare and mused on behaviour changes like the gym rat badge. If you are writing nonfiction, Stier said, think of ways that FourSquare could overlap. Tips are key! And many other smart uses too. Leave breadcrumbs where you wrote the book, ate a meal, had a drink, etc.

Stier also emphasized the importance of “caring”. Adopt the Zappos strategy as DELL has recently learned. Care. Gary Vaynerchuck’s new book, The Thank You Economy, is precisely about this. In only a few short minutes Debbie Stier had nailed it. Boom, boom, boom.

Unfortunately she had to depart earlier than anticipated and we didn’t connect aside from a few tweets and this sad image but kind message on Tumbler. Soon, I hope, to meet the legendary Debbier Stier in person.

Web-Hooked EBooks

According to Hugh McGuire the future of book publishing looks more like the internet than print books or even ebooks. Web-connected digital books are inevitable, and the line will vanishing between books and the Internet. Today’s savvy publishers will be tomorrow’s ebook API providers:

E-books to date have mostly been approached as digital versions of print books to be read on a variety of digital devices, with a few bells and whistles–like video… Thinking of e-books as just another way to consume a book lets the publishing business ignore the terror of a totally unknown business landscape… While you can list advantages and disadvantages of print books vs. e-books, these are all asides compared with the kind of advantages that we have come to expect of digital information properly hooked into the Internet…

Let books live properly within the Internet, along with websites, databases, blogs, Twitter, map systems, and applications… the foundation is there for the move. If you are looking at publishing with any kind of long-term business horizon, this is where you should be looking…

We are a long, long way from publishers thinking of themselves as API providers, or as the Application Programming Interface for the books they publish. But we’ve seen countless times that value grows when data is opened up (sometimes selectively) to the world. That’s really what the Internet is for and that is where book publishing is going, eventually…

The current world of e-books is a transition to a digitally connected book publishing ecosystem that won’t look anything like the book world we live in now. (Forbes.com)

I don’t need any convincing, but I found McGuire’s article straightforward and compelling. This isn’t rocket science, folks. It’s open source storytelling! And it’s one of the most exciting application of this global rhizome we call the World Wide Web. Like McGuire, I still can’t envision what the commercial underpinnings for this future of publishing looks like, I am confident that entrepreneurial minds all over the world are already scheming up efficient, reliable methods for monetizing web-enabled ebooks. Copyright issues will become increasingly complicated, but where there’s a will (and a market) there’s a way. And I’m thrilled to be able to participate!

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What Can Social Media Do for Self Published Authors?

The greatest benefit of social media for indie authors is the chance to make and build connections with other authors, readers and publishing industry professionals. The quality of these connections (how consistent, how useful, how deep, how much trust. how good is your actual product/book/service?) will determine how many of your social media pals actually “convert” i.e. buy your book, interview you, review your book, give you a contract, share your posts etc.

This where your advantage lies because you, one man/woman writing publishing phenom that you are, can build deeper connections than the Stephen King’s and Susan Collins of this world.  Success and popularity can often decrease the depth of social media connections simply by dint of the numbers involved. Elite twitterati like Neil Gaiman and Paul Coehlo have mostly one way relationships with their followers because they can’t afford to read what all those followers have to say in turn.You don’t have that problem. (penswithcojones.com)

Are Twitter Friends Real Friends?

This isn’t a new question (or a new answer, for that matter), but Misty Belardo (@mistygirl on Twitter) underscores her affirmation with five pointers for how to stack the odds in your favor.

Twitter is a great social networking platform. It lets you communicate with people from all over the world 24/7 real time. We are always told that you cannot have real friends online and that it is impossible to have meaningful friendships with your Twitter friends. I would like to disagree. I believe that you can have real friends. There are a lot of people that I have become close with that I met on Twitter. They are a source of encouragement and a true source of joy. You may think I am nuts… It is really not hard finding wonderful people on Twitter, you just need to know how to be open to friendships as well.

  1. Don’t follow just for numbers – Twitter is your chance to really get to know real people.  The numbers may be worthless if you cannot connect and inspire others.
  2. They are not mere avatars – They are human beings that live and breath.  Twitter is full of real people that you can communicate and share with 140 characters at a time.
  3. Be Yourself – Don’t be pretentious.  People will recognize that you are being that way. Just be who you are in real life.  If they see that you are genuine, people will warm up to you.
  4. Don’t be afraid to say hello – Just like in real life, friendships begin with a HELLO, so don’t be afraid to speak out. It does not matter how many followers that person has, they will reply to you if they see that you are friendly, share wonderful info and are open to communicating.
  5. Introduce others you know – I know the coolest people and the most engaging ones because I was introduced to them by other people. I also, in turn, introduce the people I know. Giving is always much more fun, don’t you think?

via Can You Have Real Friends on Twitter?

I’ve frankly been a little surprised at the sort of friendships which can develop out of Twitter. I was a reluctant latecomer to the Twitterfest (“Tweet, Tweet, Tweet”), and I initially considered Twitter to be little more than a playful, less personal alternative to Facebook. The 140 character limit was a fun challenge, and the communications were quirkier (and often more clever) than the updates on other social networks. And the open, searchable sea of tweets was intriguing. I began to find myself “polling” twitter to find the pulse on topics that I normally would have used Google news for. Raw, unfiltered, real time information. Real people. Real social web! Sort of an open source social network. I got hooked.

I enjoyed posting more and more. And I enjoyed following other interesting posters more and more. I honed down the niches which really compelled me (ie: @virtualDavis) and began “stumbling” upon fascinating individuals all around the world who shared (or despised) the ideas, activities, ambitions, curiosities, etc. which tug my attention. Often bizarre, sometimes inspiring and ocassionally critical dialogue (trialogue, quintialogue,…) evolved. And in several cases, these virtual conversations — 140 character ping pong matches — have germinated into friendships. Real friends. So, are Twitter friends real friends? They can be. But just like the non-Twitter realm, friendship is rare, special and takes some effort. Twitter just ramps up the diversity and geography of your potential friends. What are you waiting for?

What’s The Point?

I’ve just discovered The Point, a clever web-based platform for social action, fundraising, group action. I haven’t tried it yet, but I plan to. Here’s the mission: “As a consumer, employee, citizen, activist, parent, or whatever, sometimes you can’t do things alone – you need the power of many. The Point offers a new approach to leveraging the influence of groups and making things happen.”

And here’s how founder Andrew Mason describes why (and how) The Point is for people like you: “[The Point is] a site where anyone can start a campaign to give money or collectively do something but nobody takes action until certain present conditions are met that let everybody know that their participation is really going to make a difference.”

Sounds like a great concept! Perhaps overlapping somewhat with Fundable.com which is next on my “Check it out!” list. Do you have experience with either of these?

Cut Through the Social Media Noise

Once you find time for social media and move from social chatter to using social media for a purpose, you’ll see firsthand how difficult it can be to get noticed… How do you cut through all the social media noise and get people to notice what you have to say? Fact is, it’s not always easy.  To help you, here are 10 ways to make your message more likely to get noticed:

  1. Simplify Your Message
  2. Find Your Space
  3. Use Appropriate Channels
  4. Spread Your Message
  5. Get Help
  6. Appeal to Ego
  7. Cut the Clutter
  8. Appeal to Primitive Instincts
  9. Use Keywords
  10. Stick to One Point

Getting your message out there is not always about what you say but as much how you say it. Don’t just shovel your messages out into your social media channels. Think carefully about your audience, what they like and react to, and what else is going on within those services and networks.

Most of all… It’s not what you say that matters, but what your readers hear!

It’s your job to keep crafting and honing your message until you get it right. If people don’t “get it,” keep working until they do!

Chris Garrett‘s post is a good reminder to everyone using social networking for anything more than mere entertainment. If you have a message that you’re trying to spread, these ten steps are a good starting point! Read the full post on via Social Media Examiner.

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